The Works of Bertolt Brecht

Garrett Higa
Amanda Krogh
Bertolt Brecht
Mother Courage and Her Children
And
The Threepenny Opera
Table of Contents
I. Biography: Life of Brecht
II. Overview of Mother Courage and Her Children
III. Overview of The Threepenny Opera
IV. In The Style of Brecht
V. The Archetypes of Bertolt Brecht by Garrett Higa; PhD
VI. Feminism and Brecht by Amanda Krogh; PhD
VII. A Reader’s Response of Bertolt Brecht’s Works
VIII. Historical Points of Interest
IX. Bertolt and His Books; Biographical Analysis Highlights
X. How Well Do You Know Brecht?
XI. Works Cited
XII. Interesting Sites to Visit
Biography
Life of Brecht
Born
in
Until
the rise of the Nazis Brecht was an extremely active communist activist in
Following

*Information gleaned from Books and Writers website and GradeSaver website.
Overview
Mother Courage and Her Children
Mother
Courage and Her Children takes place in Dalarna during the Thirty Years
War. The play focuses on Mother
Courage, a notorious war-profiteer who sells supplies to the soldiers, and her
children: Kattrin, Eilif, and Swiss Cheese. Mother Courage is selling supplies to
the Swedish soldiers fighting in
As the years pass and the war continues, Courage’s predictions come true. Eilif becomes a brave soldier in the war but is killed when his superiors turn against him. Swiss Cheese is killed when he chooses not to let his mother use stolen money to free him from the military prison. And finally Kattrin is killed when she sounds the alarm during a surprise attack, saving the town. Broken by the loss of her children, Courage follows the regiment after saying, "I hope I can pull the wagon by myself. Yes, I'll manage, there's not much in it now. I must get back into business (Scene 12, Page 82).”

Overview
The Threepenny Opera

Act1
In the streets of
Act 2
Polly and Macheath are in Macheath’s stable hideout.
Polly tries to warn Macheath that her father is planning to have him arrested
and hung. Macheath leaves
Act 3
Jenny goes to the Peachum’s to claim her 10
schillings, but Mrs. Peachum refuses to give it to her because Macheath
escaped. Jenny tells her that Macheath is hiding out at the prostitute Suky
Tawdry’s house. Brown tries to arrest Peachum for blackmail, but finds
that the beggars are already at
In The Style of Brecht
Styles Used by Brecht
Ø Macheath wishes to become a respectable middle-class man and live out his life in peace, but will rob and kill to get it.
Ø Jonathan Peachum fancies himself a fancy aristocratic man, but can be essentially called the “Boss of the Beggars.”
Ø Mother Courage uses the war as her means to money, yet in the end it takes everything of non-monetary value away from her.
The Archetypes of Bertolt Brecht
By: Garrett Higa PhD
The use of archetypes has be prevalent in literature since the first tales were recorded. After all, the first characters created the framework and requirements of their respective archetypes; Beowulf setting the Hero archetype for example. And although language and form has changed, the archetypes remain as the mold for characters. Bertolt Brecht recognized this and altered the archetypes slightly to portray the duality of humanity in his plays. Brecht’s two most famous plays, “Mother Courage and Her Children” and “The Threepenny Opera” portray modified versions of the most popular archetypes – the Great Mother, the Virgin, and the Hero – to create more believable and human characters.
The archetype of the Great Mother is deeply rooted in humanity, especially Christian stories. Modeled after the Virgin Mary, mother of Jesus Christ, the Great Mother is wise and matronly, the ideal mother of the Hero or Virgin archetype. At first glance Mother Courage, the titular character of “Mother Courage and Her Children” seems to fit this mold perfectly. She tries to keep her sons out of the war that grips the country, and dispenses worldly advice to her daughter. However her occupation and her past undermine this virtuous appearance. She is a war profiteer, selling cheap goods to the soldiers for inflated prices. She warns her daughter about fraternizing with the soldiers after a prostitute sings a bawdy song in the soldier camp; ironically she has been with many men in the past to the extent that her children are not of the same father and may not have even met their respective sperm donators. Her Hippocratic practices and greed bring the Great Mother off her alter, besides being traits one would not expect to find the in matron of the Virgin.
The purity and innocence of the Virgin have also been deeply rooted in literature. Bertolt Brecht uses this as a launch point to create two very different versions of the Virgin in “Mother Courage and Her Children” and “The Threepenny Opera.” Kattrin, the only daughter of Mother Courage, initially seems to be the perfect Virgin; she does not rebel against her mother and does not flirt with the soldiers. However, she is this way not because she chooses to be but because she is in some way mentally infirm. She is described as “dumb” by her mother and never speaks throughout the play, communicating through the body language of a child – as if to say that such an extreme version of the Virgin could not naturally occur. Conversely, the Virgin in “The Threepenny Opera” is taken to the opposite extreme, though not so far as to become the Whore archetype. Polly Peachum is seductive and provocative, her father calls her a “lump of sensuality” in the first scene of Act One. Neither are her thoughts entirely pure – she feels pity for the slaying of innocents, but at the same time imagines herself an amoral pirate queen.
And who better to be wed to this Corrupted Virgin than a deviation of the most sacred and time-honored archetype in literature: the hero. The original version of the Hero is a strong and intelligent character like Beowulf or Odysseus. Brecht’s Macheath is a combination of the classic Hero and Trickster archetypes – the wit and the braun mixed with the greed and the deception. Macheath, better known as Mac the Knife, is an infamous Highwayman, a bourgeois Robin Hood. Though a thief and adulterer, he feels the true criminals are those that exploit the poor, similar to the tyrants of old. Though not necessarily new or original, Brecht uses this spliced archetype because it would be more popular and understandable to his twentieth century audience than a modern rendition of Hercules.
As literature has changed, so too have many devices used by writers. However the archetypes have always remained unchanged, only modified to help the writer convey the intended message. Bertolt Brecht did not re-invent or create new archetypes when he wrote “Mother Courage and Her Children” and “The Threepenny Opera” – he instead altered the molds to create more human characters while maintaining the virtue attached to the original form. Through splicing types together and bringing others to far extremes he is able to create human characters born from the fallen forms of the Archetypes.
Feminism and Brecht
By: Amanda Krogh PhD
In Bertolt Brecht’s works, themes of alienation, anti-capitalism, and self interest over love have been prominently conveyed. Though feminism isn’t one of his major themes, there is still a strong underlying message of feminism in Brecht’s works, including The Three Penny Opera and Mother Courage.
One of the biggest feminine
influences Brecht had is his mother. His mother was a strong Protestant who
taught Brecht lessons from the bible throughout his childhood, which would
impact his writing. His mother’s care for him inspired a “dangerous
image of the self-denying
woman", which is often a quality that his female characters posses in his
works (Thomson). This image of a “self denying woman” is seen in
his character Kattrin from Mother Courage
in Scene 11 where she beats the drum, which warned her village of the
enemy’s attack. By doing this, Kattrin saved her village at the cost of
her life, and the enemy shot her for her courageous act. By giving his female
characters this quality, Brecht shows his audiences the virtue of the
woman’s kindness and sacrifice in a cruel masculine war.
Not all of his female characters are “self denying”, some are strong characters and some are weak and flawed characters. Brecht wrote contrasting female characters to give different arguments. In Mother Courage, the character Mother Courage is the story’s wise woman, and a very strong woman in the face of war. She works tirelessly on earning money to survive the war, even at the cost of her children’s lives. By making this woman hardened, he shows the evils of war are strong enough to corrupt even a virtuous wise woman, which is showcased by Mother Courage’s “shrewd commentary on the war throughout the play” (Sparknotes). The virtues of women aren’t just affected by war, but in the Three Penny Opera, women are also affected by the corruption of a capitalist society. The female characters in The Three Penny Opera are either weak followers of their criminal husbands like Cecilia and Polly Peachum, or they are prostitutes like Jenny. The weakness of these women shows how women are viewed in the capitalistic society as nothing but weak and dependent or sexual objects.
A Reader’s Response
Mother Courage and Her Children
The Threepenny Opera
Historical Points of Interest
Mother Courage and
Her Children
The Threepenny Opera
Playwright Bertolt and His Books
Biographical Analysis Highlights
·
Brecht’s mother was a faithful Protestant
who taught him lessons from the Bible throughout his childhood, which impacted
his writing.
·
His mother’s qualities influenced many of
his female characters, and Brecht took from her the “dangerous image of
the self-denying woman” (Thompson)
·
An example of a self-denying woman is Kattrin
from Mother Courage, where she beats
the drum to warn her town of an attack, and is killed by the enemy for it
(Scene 11)
How Well Do You Know Brecht?
A Little Knowledge Quiz

Works Cited
<http://www.kirjasto.sci.fi/brecht.htm>
<http://german.lss.wisc.edu/brecht/>
<http://www.gradesaver.com/classicnotes/authors/about_bertolt_brecht.html>
Interesting Sites to Visit
http://www.sauguscenturions.com/maghakian/authorprojects.html
http://www.kirjasto.sci.fi/brecht.htm
http://german.lss.wisc.edu/brecht/
http://www.gradesaver.com/classicnotes/authors/about_bertolt_brecht.html
http://www.cs.brandeis.edu/~jamesf/goodwoman/brecht_bio.html